Showing posts with label Arcane Malevolence. Show all posts
Showing posts with label Arcane Malevolence. Show all posts

Monday, June 27, 2011

Review - No Remission Through Blackened Skies Album Release Party - The Studio at Webster Hall June 18, 2011

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Pits, pits, pits. This show was Pit Central from the get-go despite the higher than normal amount of ladies for a metal audience. Webster Hall went pretty smoothly.


Up first, Left in Ruins (LIR) set the tone of the night with an immediate pit breaking out. With three guitarists, bass, percussion and vocals, LIR's sound was down right huge. Tight build ups and layered harmonies lent well to pit activity, the crowd was really into it. Each of their songs had its own sound as well as each musician. The guitarists traded off soloing within songs, each with their own respective approach, to create a cohesive musical statement. Solos ranged from liquid smoothness to gritty thrash; tied together with counter melodies traded off between guitars and bass; all held together with a strong percussive foundation. LIR showed off a very textured writing approach with a plethora of stylistic variation.

Speaking of variety, Arcane Malevolence put on a set to remember. I had heard about this bombastic front man before but had yet to see a performance for myself. I caught myself having a hard time reviewing the set due to bouts of giggling at his mental-patient-like antics. I found myself pleasantly surprised at the eclectic vocals coupled with the controlled chaotic feel of the musical foundation. Arcane Malevolence's line up consisted of one singer, one guitarist, one bass player and a drummer. Their sound was surprisingly strong, especially after LIR's triple-guitarist onslaught. The bassist did a phenomenal job of tying together all of the elements of Arcane Malevolence's style. It's hard to categorize their approach accurately besides metal unless you want to create one of those sub-sub-sub-you hopefully get the picture by now-sub-genres. The members of Arcane Malevolence frantically finesse their way through many a metal sub-genre.

Up next, thickening up the sound again with two guitars, bass, percussion and vocals, Alekhine's Gun really riled up the crowd with their female vocalist. Even through an unfortunate tuning event which caused them to edit their set, she was able to keep the crowd occupied and into the show. But no worries, just a small bump on the road to Alekhine's Gun really rocking out with some brutal material. If anything, the delay seemed to make the audience even thirstier for more metal and the testosterone infused pit went insane as soon as the band kicked back in. You could close your eyes, which I wouldn't recommend in that pit, and not be able to tell the singer was a lady. By the time they were done the pit filled 3/4ths of the floor.

And for the finale, showcasing their new album "Through Blackened Skies", No Remission put on a flawless performance full of head banging goodness. The guys were beyond ready to appease the crowds hunger for metal and you could hear it in their playing and see it through their showmanship. With a line up consisting of vocals, two guitars, bass and drums, No Remission expertly plowed through their set proving that the NY metal scene is not only alive, but thriving. It was especially interesting to see a slow motion pit during "The Hunter" grow into utter pit devastation as the song got heavier and time signatures changed. Tight, melodic, driven and thrashy as always, I could hear the full instrumentation throughout No Remission's deluge without straining my ears. Each and every riff was executed cleanly. The performance was on par with the sound of a professional recording thanks to the very talented sound lady. She did a truly marvelous job bringing all the timbres of metal together without making metal soup. By the time No Remission got to "Signal Loss", I wanted to jump into the sound cage with her for protection. The pit covered pretty much the entire floor minus the merch tables.


All of the bands in the line up for No Remission's release party complemented each other really well. I think a tour with Left in Ruins, Arcane Malevolence, Alekhine's Gun and No Remission would be received really well. It was amazingly refreshing to go to a metal show where all the bands didn't sound the same. Thanks, guys! This show was a perfect example of the variety that can be found in the NY metal scene if you know where to look.


Reviewed by Laurcifer

Photos By Bruce Jurado

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Wednesday, May 18, 2011

No Remission played Highline Ballroom on May 11, 2011 - "Through Blackened Skies" release party at The Studio at Wester Hall June 18, 2011

Photo credit - GJ

Photo editing - Nick Perlman


No Remission - May 11, 2011 - Highline Ballroom Review


So No Remission played with Warbeast, Heathen, and Destruction last week at the Highline Ballroom. There was an all right turn out for a Wednesday evening show. Spirits were high, every body was ready to rock out, bands and fans included.


During their 20 minute set, No Remission was able to squeeze out five of their new tracks offThrough Blackened Skies. The first three, "The Hunter", "3 Years", and "Skeletal Messiah", demonstrated No Remissions expert ability to rock out and get a crowd head banging. They relentlessly kept up with their technically demanding onslaught through interesting song structures and precise rhythmic changes. I was particularly taken with the vocal contrasts, from guttural to clean to snarling, in "3 Years". The vocals had a bigger impact live than I had expected. The overall sound was clear and big, I could pick out each instrument, even the bass. I was especially impressed with the percussion. Although the toms could have been a tad louder, it was surprising to hear such a big sound come out of such a small kit. ( I think there was only one floor tom and two other toms). "Skeletal Messiah", tastefully dedicated to Joan Rivers, preceded "This Plague Will Kill Us All". At this point No Remission displayed that they can create more than a straight forward "Are you ready to rock?!?!" vibe, but they can pensively build up and explode just as well live as in the studio, even with their complicated guitar solos. For the finale the crowd was treated to "New Dark Age", a song built up on a sitar-like guitar riff complete with No Remissions refreshing approach to song structure.


This performance was an awesome warm up for No Remissions release party for Through Blackened Skies. Highline was just an appetizer, dinner and dessert will be served at Webster Hall, Saturday, June 18th. We can look forward to another tight as hell performance out of No Remission. We can also expect some performances from Left In Ruins, Arcane Malevolence and Alekhine's Gun. Don't miss it, tickets are only $10.


Review written by Laurcifer - Scroll down to check out photos from the Highline Ballroom show and the details for the upcoming release show on June 18 at The Studio at Webster Hall.


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Highline Ballroom photos taken by Bruce Jurado

No Remission is: Will Checchi - Guitar/Vocals, Kurt Balogh - Guitar, Greg Perlman - Drums and Dan Paprocki - Bass.


No Remission on the internet:


No Remission is proud to announce that after 2 and a half years we are finally set to release our full-length "Through Blackened Skies" produced by Billy Graziadei. To commemorate the release of our album, we will be holding a record release party at the Studio at Webster Hall on June 18.

https://www.facebook.com/event.php?eid=212900932070667