
Monday, August 29, 2011
Endless Now by Male Bonding out today, Aug 29

St Vincent on The Late Show With David Letterman tonight.
Thursday, August 18, 2011
CASS MCCOMBS TO RELEASE NEW ALBUM, HUMOR RISK, NOVEMBER 8, 2011 LISTEN TO/DOWNLOAD HUMOR RISK’S “THE SAME THING”
We are pleased to announce that the prolific Cass McCombs is to release his second album this year, Humor Risk, on November 8, 2011.
You can listen to and download the album track, “The Same Thing,” here: http://www.dominorecordco.com/cassmccombshumorrisk
Humor Risk was recorded in various homes and studios in California, New York, New Jersey and Chicago, and was produced by Cass McCombs and Ariel Rechtshaid, with whom he created WIT’S END, and before that, CATACOMBS.
Humor Risk is an attempt at laughter instead of confusion, chaos instead of morality, or, as fellow Northern Californian Jack London said, “I would rather be ashes than dust!”. Musically, it is more rhythm-based, tempos swifter to nearly rocking, than the sparse WIT’S END. Infectious melodies are outlined by a wry lyricism that expresses the stories of characters from McCombs’ native land. Rather than fulfilling the stereotype of the confessional singer-songwriter, he describes the lifestyles and feelings of those that surround him, with more love than judgment: drugs, Scientology, Western America, and so on, in allegorical form. Humor Risk portrays yet another façade of this versatile, incredibly talented and much underrated artist.
Humor Risk will be available on CD, LP and digitally.
To pre-order the album, click here: http://www.dominorecordco.com/humorrisk
The tracklisting for Humor Risk is as follows:
1. Love Thine Enemy
2. The Living Word
4. To Every Man His Chimera
5. Robin Egg Blue
6. Mystery Mail
7. Meet Me At the Mannequin Gallery
8. Mariah (sketch)
What’s been said about WIT’S END:
“what might be his best LP yet . . . a gorgeous album of despair, the most believable evidence yet that McCombs is living up to his own legend” -- Pitchfork [Best New Music]
*****
“Songs so unassuming they sneak up and slay you” -- SPIN
*****
“’Buried Alive,’ and parts of ‘Saturday Song’ and ‘Memory’s Stain’ — creepy-lovely processionals held together with major-minor movement — could go up against anything in pop so far this year.” – The New York Times
*****
“On Wit’s End, he places both himself and the entire singer-songwriter tradition on trial, his personal salvation dependent solely on the purity of personal expression. Clearly, as an artist, he is not making any compromises. He’s not coming home any time soon. But McCombs is making music as if his soul depended on it.” – Tiny Mix Tapes
http://www.dominorecordco.us/artists/cass-mccombs
http://www.cassmccombs.com/
Monday, August 8, 2011
Sufjan Stevens plays Prospect Park
Sufjan Stevens, Live at the Prospect Park Bandshell, August 2nd 2011
By Dylan Hume
Sufjans Stevens and his band played to a sold-out crowd at the Prospect Park Bandshell Tuesday night. The show, one of the few ticketed events at the bandshell this summer, was a fundraiser for BRIC Arts, the organization that runs the Celebrate Brooklyn! Performing Arts Festival, now in it's 33rd summer season.
The Brooklyn vibe was palpable, to say the least. At one point during his set, Sufjan gestured vaguely eastward, saying, "I live right over there." He wasn't the only one, and the hometown energy of the crowd fed the band as they progressed through their set.
Stevens is known for his lush orchestrations, and last night they were on full display, but the band was impressive in its economy. The ensemble was not too big, and filled out by a complement of two trombonists, two flautists, and two drummers, along with a few other instrumentalists, backup singers, and Sufjan, of course, on guitar and synth. That a band of that (relativiely) moderate size could make such a big sound was remarkable, as was their dynamic range and unfailing precision.
Even more remarkable was the visual aspect of the show. Stevens is a dedicated artist, taking painstaking steps to make sure that every part of his performance is in line with his concepts. The lighting and the artwork displayed on the stage were incredible in scope and meticulous in execution.
Most of songs on Tuesday were from Stevens' 2010 album, "The Age of Adz," which was partly inspired by the work of visual artist Royal Robertson. Stevens gave an homage to Robertson before proceeding with a tremendous visual display of beautiful and haunting projections during "Get Real Get Right." As the show came to its climax during the epic closing number, "Impossible Soul," Stevens appeared on stage wearing suit made primarily from balloons as dozens of enormous, translucent beach balls flooded the audience and four tall, brightly-colored flailing-arm inflatable tube men popped up from nowhere. It might have been overwhelming, if it wasn't so captivating.
And therein lies the one problem with the show as a whole: a tendency toward the schizoid. Stevens clearly wants to do everything all of the time, and is largely successful, but much like the album version of "Impossible Soul," it felt as though he was cramming too many ideas in to a medium that can only take the weight of so many distinct concepts.
Still, the show was one of the most impressive productions I've seen at a live rock concert in a long time. The Celebrate Brooklyn! season should be praised for its diverse lineup of considerable talents, but Tuesday's show was most definitely one of the highlights of the summer.
Friday, July 29, 2011
GRAMMY-NOMINATED RECORDING ARTISTS MUTEMATH ANNOUNCE "ODD SOUL INTRODUCTION TOUR" TO KICK OFF IN SEPTEMBER

BAND TO UNVEIL SONGS FROM ITS UPCOMING NEW ALBUM, ODD SOUL, IN INTIMATE SETTINGS
ODD SOUL DUE ON OCTOBER 4TH, 2011, ON TELEPROMPT/WARNER BROS. RECORDS
July 28, 2011- Burbank, CA - New Orleans' rock innovators MUTEMATH have announced that they will launch the Odd Soul Introduction Tour this fall. The tour finds the band, which is Paul Meany (vocals/keyboards), Roy Mitchell-Cardenas (bass/guitar), and Darren King (drums), unveiling songs from their upcoming new album, Odd Soul, which will be released on October 4th by Teleprompt/Warner Bros. Records. MUTEMATH will perform on Jimmy Kimmel Live! on the night of release.
The Odd Soul Introduction Tour kicks off on September 7th and concludes with a homecoming show in New Orleans on October 21st. The tour revisits intimate venues to provide fans with a unique opportunity to see MUTEMATH up close in many of the clubs they first performed at when starting out nearly seven years ago. A pre-sale for a VIP Package (which includes tickets, a physical and digital copy of Odd Soul, and a digital download of the track "Blood Pressure") has already begun. Regular tickets go on sale to the public on August 5th. Prior to September 7th, MUTEMATH will perform a few select special dates in August. Visitwww.mutemath.com for more details. All upcoming tour dates are listed below.
In other MUTEMATH news, the track "Odd Soul" is currently available to fans in a unique video mixer platform. The mixer, which premiered on digital and social media technology site Mashable.com, features a different video for each part of the song: drums, guitars, bass, vocals, synth, and background vocals. Listeners can solo, mute, and mix "Odd Soul" in real-time creating their own audio and visual mix. Due to varying connection speeds and hardware there are two versions available, a 4-track version meant for users on slower connections and a 6-track version for fans using up-to-date browsers on faster broadband connections. Versions can be chosen by visiting www.mutemath.com/oddsoul.
Odd Soul, which was produced by the band, is the follow-up to 2009's Armistice, which debuted at No. 3 onBillboard's Digital Albums and Alternative Albums chart, No. 4 on the Rock chart, and No. 18 on the Top 200 album chart, and was called a "must-have album" by the New York Post.
08/06 Tulsa, OK Brady District Block Party
08/13 Tokyo, JAPAN Summer Sonic Festival
08/14 Osaka, JAPAN Summer Sonic Festival
08/16 Los Angeles, CA Troubadour (sold-out)
08/20 Mobile, AL Saenger Theatre
08/25 New York, NY Mercury Lounge (sold-out)
09/07 Charleston, SC The Pour House
09/08 Greenville, SC The Handlebar
09/09 Columbia, SC New Brookland Tavern
09/10 Athens, GA 40 Watt
09/12 Raleigh, NC The Pour House
09/13 Wilmington, NC The Soapbox
09/15 Richmond, VA Canal Club
09/16 Charlottesville, VA The Southern
09/17 Poughkeepsie, NY The Loft
09/18 Hartford, CT Webster Underground
09/20 Providence, RI The Met
09/22 Buffalo, NY Mohawk Place
09/23 Burlington, VT Higher Ground
09/24 Albany, NY Pearl Palooza (WEQX)
09/25 Cleveland, OH The Grog Shop
09/27 Ann Arbor, MI The Blind Pig
09/29 Lansing, MI The Loft
09/30 Milwaukee, WI The Rave Bar
10/01 Des Moines, IA Vaudeville, Mews
10/02 Lawrence, KS Bottleneck
10/07 Oklahoma, City, OK The Conservatory
10/08 Waco, TX Common Ground
10/09 San Antonio, TX Endless Music
10/11 Little Rock, AK Revolution Music Room
10/12 Memphis, TN Hi-Tone
10/14 Baton Rough, LA Chelsea's
10/16 Pensacola, FL Deluna Fest
10/17 Jacksonville, FL Jack Rabbit's
10/19 Knoxville, TN The Square Room
10/20 Birmingham, AL Workplay Theatre
10/21 New Orleans, LA One Eyed Jacks
For info, videos and photos of MUTEMATH, please visit www.mutemath.com.
Photo Credit: Claire Vogel
Friday, July 22, 2011
Tori Amos Announces North American Leg of Night of Hunters Tour
IWRESTLEDABEARONCE DEBUT NEW SONG “DEODORANT CAN’T FIX UGLY” ON REVOLVERMAG.COM TODAY NEW CD ‘RUINING IT FOR EVERYBODY’ OUT JULY 26

IWRESTLEDABEARONCE
DEBUT NEW SONG “DEODORANT CAN’T FIX UGLY”
ON REVOLVERMAG.COM TODAY
NEW CD ‘RUINING IT FOR EVERYBODY’ OUT JULY 26
Iwrestledabearonce debuted their new song “Deodorant Can’t Fix Ugly” on Revolver Magazine’s website www.RevolverMag.com today. The song can be heard here: http://www.revolvermag.com/
The group’s new CD Ruining It For Everybody will be released July 26 via Century Media Records. The disc also features the songs “Karate Nipples,” “Next Visible Delicious” and “You Know That Ain’t Them Dogs’ Real Voices” which are available now on iTunes following major fan response to the songs’ online premieres.
Early critical praise for the disc continues to build. In his 9.5 (out of 10) star review of the CD, writer Iann Robinson of CraveOnline.com called Ruining It For Everybody a “contender for Album of the Year.” He continued, “…Iwrestledabearonce have created a shimmering piece of artistic genius…Gloriously shining and seductive female vocals reach for the outer limits while screeching vocals of ugly defiance batter us back into reality. Beautiful piano and electronic sounds are kicked in the shins over and over by thick and brutal riffs...This isn’t just music, this is art, this is an impressionist painting mixed with a work by Dali that’s draped over the hand carved stone statue of a demon all backed by the sounds of angels singing…for those who burn every day with the desire to see heavy music take bold steps forward, I give you Iwrestledabearonce and their maddening genius bottled into a Molotov cocktail of audio complexity...” (July 12, 2011).
Iwrestledabearonce--Krysta Cameron (vocals), Steven Bradley (guitar, keyboard, programming, samples), John Ganey (guitar, keyboard, programming, samples), Mike "Rickshaw" Martin (bass) and Mikey Montgomery (drums)--is current touring North America on The All Stars Tour with Emmure, Alesana, Born Of Osiris, and Bless The Fall through August 27.
Following The All Stars Tour, the band will head north for two shows in Alaska.
Current tour dates are as follows:
Date City
The All Stars Tour:
7/22 McAllen, TX Las Palmas Racepark
7/23 San Antonio, TX Backstage Live
7/24 Dallas, TX The Palladium
7/26 Louisville, KY Expo Five
7/27 Cleveland, OH Agora Ballroom
7/28 Chicago, IL Congress Theatre
7/29 Detroit, MI Royal Oak Theatre
7/30 Milwaukee, WI The Rave
7/31 St. Paul, MN Station 4 Outdoors (Lowertown Music Festival)
8/2 Toronto, ON Sound Academy
8/3 Montreal, QC Olympia
8/4 Reading, PA Eagle Theatre at The Sov Center
8/5 Poughkeepsie, NY Civic Center
8/6 Fitchburg, MA Marriott Trade Center
8/7 Sayreville, NJ Starland Ballroom
8/9 Baltimore, MD Sonar
8/10 Richmond, VA The National
8/11 Charlotte, NC The Fillmore
8/12 Myrtle Beach, SC House Of Blues
8/13 Orlando, FL Plaza Live
8/14 Pensacola, FL Seville Quarter Party Plaza
8/17 Tucson, AZ The Rialto Theatre
8/18 Scottsdale, AZ Venue of Scottsdale
8/19 San Diego, CA Soma
8/20 Anaheim, CA The Grove
8/21 Las Vegas, NV Rock The Block
8/23 San Francisco, CA Regency Ballroom
8/26 Seattle, WA Showbox SoDo
8/27 Portland, OR Roseland Theatre
Solo Dates:
9/16 Anchorage, AK Club Millennium
9/17 Anchorage, AK Chilkoot Charlie’s
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